We have a very special guest with us today, Janice Hardy is the founder of Fiction University, and the author of the teen fantasy trilogy The Healing Wars, where she tapped into her own dark side to create a world where healing was dangerous, and those with the best intentions often made the worst choices. Her novels include The Shifter, (Picked as one of the 10 Books All Young Georgians Should Read, 2014) Blue Fire, and Darkfall from Balzer+Bray/Harper Collins. The first book in her Foundations of Fiction series, Planning Your Novel: Ideas and Structure is out now.
Figuring Out Your Writing Process
By
Janice Hardy, @Janice_Hardy
Every novel needs a story, but how you develop that story
can happen any number of ways. For example, I'm an outliner who likes to know
what happens in every scene before I start the first draft. One of my critique
partners is a pantser who prefers to have a general idea of the story and jumps
in with little to no preparation. She figures out the plot as she sees what the
characters do in the novel. Still another friend writes her novels completely
out of order based on what scenes come to her and stitches them together
afterward to form a cohesive story.
All of these are perfectly valid ways to write, and
they couldn't be more different.
Using a writing method that contradicts or doesn't
support your process might cause you to focus on the wrong things or stymie
your creativity. You might feel compelled to stick to an outline even when your
characters want to take the story in a different direction, or you could find
that plotting the story in great detail beforehand makes the novel no longer
fun to write (and thus it feels mechanical and boring).
To help understand how your own process works, grab a pen and paper (or screen and keyboard),
and answer the following questions:
1.
How many important events do you like to know about your story before you start
writing?
This
can help you determine where on the outline to pantser scale you fall. If you
know you lean more toward one side, you can focus your creative energy in ways
that support that.
Do
you like to know just the inciting event? Only the ending? Do you know just two
or three big moments? Do you like to know every chapter goal? Every scene goal? Or maybe you go in blind and
the fun is seeing how the story unfolds. You might even focus more on the
individual scenes vs. plot turning points, and you can immediately picture
several scenes you're already dying to write.
Think
about the novel you're currently writing. What are the key moments you know you
want in the book? What scenes do you know you want to write? When do you reach
the point where you think, "now I'm ready to write!"?
2.
Do you need to know your character arcs?
If
you're a character-driven writer, your stories might come from seeing how your
characters grow and change, and you'll crafts plots that allow those changes,
or happen organically as you write.
Do
you know how your characters change? Do
they change? Do you consider their emotional journey or focus more on the
external plot events? Do you use the character arc to create conflict in your
plot arc?
Think
about your characters and where you'd like them to be by the end of the novel.
Do you have character arcs in mind for them, or would you rather see how they
grow as you write the first draft?
3.
Do you plot off your reveals?
If
you’re writing a mystery or thriller, the story might hinge more on when information is revealed. If events
need to happen in a certain order, they can guide you through your plot.
When
do clues need to be found? Secrets revealed? Secrets discovered? Are there any
reveals that affect how the story will unfold?
Think
about what information you want to reveal to your readers and when that
information needs to come out. Does a large percentage of the plot depend on
these moments?
4.
Do you write towards a theme?
Themes
are a great unifying structure for outliners and pantser alike. Major thematic
elements can guide a story as easily as character goals. What problems best
exemplify your theme?
Are
there recurring themes that connect characters or story ideas? Do multiple
scenes, conflicts, or goals all focus on the same theme? Do your scenes mostly
explore the theme?
Think
about how strong theme is in your storytelling drive. Is it something that's determined
afterward, or is the entire story an illustration of this theme?
5.
What stops you writing?
Now
that you have a better idea of what you need to start writing, look for the
things that stop you writing. The
places you struggle with, the moments that drive you away from the keyboard.
Where
do you often stall in a story? Do you find yourself having to go back and
research something? Figure out a major plot point in the same basic area every
time? (Like middles bog you down, or that next big moment right after the
inciting event) Do you need to work on character arcs before you can move
forward?
Think
about the things that stop you. You might consider spending a little extra time
on them at the start and avoid hitting a wall later. Make them part of your
process so the writing itself goes smoothly.
Putting
it all together
You
might be the type of writer who needs just a general idea before diving into a
novel, or you might mix and match any of the above--deciding on a few major
plot events, the basic character arc turning point, and the big reveals to
create a rough outline. You might only know your theme and your protagonist and
run with it. Take a little time to think about how you’ve crafted your novels, what
worked, what roadblocks you hit and when, and discover the process that works best
for you.
For
those who aren't sure how much planning they need, try this basic six-point
outline for a little structure:
- What's your opening scene?
- What's the inciting event?
- What is the first major event
that goes wrong or changes the path of your protagonist?
- What major surprise can happen
in the middle?
- What is the moment when it all
looks hopeless?
- How does it end?
A
writer’s process is a personal thing. A cookie-cutter template might not work
for you, but it doesn’t take a lot of work to create a guide that fits your
style and guides you onward.
Looking for tips on planning your novel?
Check out my book Planning Your Novel: Ideas
and Structure, a series of self-guided workshops that help you turn
your idea into a novel. It's also a great guide for revisions!
Leave a comment and you might win a copy of Janice's book!
I'm trying something new this month. I'm using Rafflecopter for the contest entries.
The winner of The Summer of the Bonepile Monster by Aileen Kilgore Henderson is Chris Bailey!
Growing up in Alabama in the small town of Red Bay, I was curious how Ms. Henderson would make this an exciting story My town was very boring! Dolliver, Alabama is not. From the first page she sets the stage of conflict, inner and outer turmoil. Will Lou and Hollis's parents still be together when they get back from their visit with Grandma?
is Nell Branum
is Nancy Kelly Allen
Finally! The secrets on being a writer are revealed.
There's been some chatter about books for reluctant boy readers and I would like to recommend this one.
